"Everything exists within me."
Through her practice, she expresses the positive energy and formative impressions of her childhood through colour and object. Her engagement with art therapy has led her to understand emotional energy as something that can be transformed into a restorative force. She views colour as a universal language of emotion—one that communicates inner states and opens a pathway toward healing. In her work, colour functions not only as a visual component but as a medium through which emotion and perception converge, revealing the essence of human experience.
A recurring motif in her practice is the siru, a traditional Korean earthenware vessel used for making rice cakes and cultivating bean sprouts. First encountered during a period of childhood loss, she identified with its rough, aged surface and its quiet presence within darkness. Over time, the siru came to symbolize processes of growth and transformation, reflecting her evolving understanding of life itself.
This motif extends across various media, including porcelain, paper, photography, and colour-based works. Through these material explorations, she develops a subtly dreamlike and painterly visual language that prioritizes sensory experience over literal representation, aiming to evoke a quiet, positive resonance within the viewer.
